Credits:
40 x 15
(2008); 5% de risque (1980); A Couch in New York (1996); À l’Est avec Sonia
Wieder-Atherton (2009); A Whole Night (1982); Addictions (2016); Almayer’s
Folly (2011); American Stories: Food, Family and Philosophy (1989); Antenne 2
Midi (1986); Autour de Jeanne Dielman (1975); Autour d’hier aujourd’hui et
demain (on déménage) (2004); Beau geste (2024); Birth of a Nation (1983);
Chantal Akerman (2013); Chantal Akerman, From Here (2010); Chantal Akerman: Her
First Look Behind the Camera (2023); Ciné regards (1978); CinéKino (2017);
Cinéma cinémas (1985); Cinéma, de notre temps (1996); Ciném’Arte (2002); Clap
(1976); Compression (2024); Dai nostri inviati: La Rai racconta la Mostra del
cinema di Venezia 1980-1989 (2013); Delphine and Carole (2019); Des mots de
minuit (2000); Días de cine (2015); Down There (2006); Entretien avec ma mère
(2007); Family Business: Chantal Akerman Speaks About Film (1984); Farpões,
baldios (2017); Fifty Fifty (1998); From the East (1993); From the Other Side
(2002); Golden Eighties (1986); Guest (2010); Hanging Out Yonkers (1973);
Histoire bruyante de la jeunesse (2020); Hôtel des Acacias (1982); Hotel
Monterey (1973); I Don’t Belong Anywhere: The Cinema of Chantal Akerman (2015);
I, You, He, She (1974); J’ai faim, j’ai froid (1984); Jeanne Dielman, 23, quai
du commerce, 1080 Bruxelles (1975); Jeune cinéma (2023); L.A. Tea Time (2019);
La chambre (1972); La paresse (1986); Le 15/8 (1975); Le cercle de minuit
(1997); Le jour où... (1997); Le Marteau (1986); Le masque et la plume (1976);
Leg, Arm, Head (2016); L’enfant aimé ou je joue à être une femme mariée (1971);
Les effrontées: Le cinéma au féminin (2022); Les ministères de l’art (1989);
Les Nuits de France Culture (2019); Les rendez-vous du dimanche (1976–1978);
Les trois dernières sonates de Franz Schubert (1989); Lest We Forget (1991);
Letters Home (1986); L’Exposition Philippe Garrel au MMCA de Séoul (Carnet
Filmé: 19 décembre 2015 - 22 décembre 2015) (2016); Limonada, limonada (2020);
Mallet-Stevens (1986); Mieux partagés que nous ne sommes (2006); Milou and the
Venusians (2008); Monologues (1993); Morceaux de Cannes (2021); Movie Night
Extravaganza (2023); New York, New York bis (1984); News from Chantal Akerman
(2020); News from Home (1976); Night and Day (1991); No Home Movie (2015); On
Tour with Pina Bausch (1983); Only Solomon Lee (2013); Paris Seen By... 20
Years After (1984); Parlons Cinema (1977); Picture of Europe (1990); Porto
(2016); Portrait d’une jeune fille de la fin des années 60 à Bruxelles / Tous
les garçons et les filles de leur âge... (1994); ‘Rameau’s Nephew’ by Diderot
(Thanx to Dennis Young) by Wilma Schoen (1974) (1974); Saute ma ville (1971);
Seven Women, Seven Sins (1986); She Spent So Many Hours Under the Sun Lamps
(1985); Shredder (2011); Sodankylä Forever (2010); South (1999); State of the
World (2007); TCM Remembers 2015 / Music Video (2015); Télévision de chambre
(1984); Tell Me (1980); The Camera: Je or La Camera: I (1977); The Captive
(2000); The Eighties (1983); The Lost Days (1999); The Meetings of Anna (1978);
The New Cinema (1984); The New Garden (2012); The Oscars / In Memoriam (2016);
To Live Forever (2015); Tom in America (2014); Tomorrow We Move (2004); Trois
strophes sur le nom de Sacher (1989); Venezia: Biennale cinema - Cerimonia per
l’assegnazione dei Leoni d’oro 1986 (1986); Voyages (1999); What Is Cinema?
(2013); With Sonia Wieder-Atherton (2003); Women from Antwerp in November
(2008).

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