Showing posts with label Albert Finney. Show all posts
Showing posts with label Albert Finney. Show all posts

Saturday, October 26, 2024

On this day in movie history - Before the Devil Knows You're Dead (2007)

Before the Devil Knows You're Dead

directed by Sidney Lumet,

written by Kelly Masterson,

was released in the United States on October 26, 2007.

Music by Carter Burwell.

 


Cast:
Philip Seymour Hoffman, Ethan Hawke, Albert Finney, Marisa Tomei, Aleksa Palladino, Michael Shannon, Amy Ryan, Sarah Livingston, Brían F. O'Byrne, Rosemary Harris, Blaine Horton, Arija Bareikis, Leonardo Cimino, Lee Wilkof, Damon Gupton, Adrian Martinez, Patrick G. Burns, Jordan Gelber.


Sunday, September 22, 2024

On this day in movie history - Miller’s Crossing (1990)


Miller’s Crossing

directed and written by Joel Coen and Ethan Coen,

was released in the United States on September 22, 1990.

Music by Carter Burwell.

Cast:
Gabriel Byrne, Albert Finney, John Turturro, Marcia Gay Harden, Jon Polito, J. E. Freeman, Steve Buscemi, John McConnell, Mike Starr, Al Mancini, Olek Krupa, Frances McDormand.

Wednesday, July 24, 2024

On this day in movie history - Wolfen (1981)

 

Wolfen

directed by Michael Wadleigh,

written by David M. Eyre, Jr., Michael Wadleigh and Eric Roth,

based on the novel The Wolfen by Whitley Strieber,

was released in the United States on July 24, 1981.

Music by James Horner.

Cast:
Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines, Tom Noonan, Dick O’Neill, Dehl Berti, Peter Michael Goetz, Sam Gray, Ralph Bell, Max M. Brown, Anne Marie Pohtamo, Sarah Felder, Reginald VelJohnson, James Tolkan, John McCurry, Chris Manor, Donald Symington, Jeffery Ware, E. Brian Dean, Jeffery V. Thompson, Victor Arnold, Frank Adonis, Richard Minchenberg, Raymond Serra, Thomas Ryan, Tony Latham, David Connell, Jery Hewitt, Roy Brocksmith, Michael Wadleigh, Joaquin Rainbow, John Ferraro, Rino Thunder, Glenn Benoit, Eddy Navas, Ricky Hawkeye, Pete Dyer, Paul Skyhorse, Gordon Eagle, Javier First-Day-Of-Light, George Stonefish, Julie Evening, Jane Lind, Annie Gagen, Max Goff, Cullen Johnson, Robert L. King, Robert Moberly, Caitlin O’Heaney, Tony Stratta, William Sheridan, Linda Gary, Charles Howerton, Burr DeBenning, Corey Burton, Patricia Parris, Andre Stojka, Dan Sturkie, Mel Welles, Diane Bivens, Robert Dahdah, Daniel D. Halleck, Angel Ramirez Jr., Tom Waits.


Thursday, May 9, 2024

Born on this day – Albert Finney:

 
Actor

May 9, 1936 – February 7, 2019


Credits:
2000 Blockbuster Entertainment Awards (2000); 30 Rock (2011); A Good Year (2006); A Man of No Importance (1994); A Midsummer Night's Dream (1959); A Night at the Movies: Merry Christmas! (2011); A Rather English Marriage (1998); A Simple Man (1987); A Tribute to John F. Kennedy from the Arts (1963); ABC Stage 67 (1967); Acting in the Sixties (1967); Agatha & Poirot: Partners in Crime (2021); Agatha Christie: A Woman of Mystery (2007); Agnieszka Holland on the Set (1997); Alpha Beta (1974); Amazing Grace (2006); Annie (1982); Another Country (1984); Arena (1975–1995); Aspects of Love (2005); Audrey Hepburn Remembered (1993); BBC Sunday-Night Theatre (1958); Before the Devil Knows You're Dead (2007); Big Fish (2003); Bilder aus Amerika (1982); Bleak Moments (1971); Breakfast of Champions (1999); Charlie Bubbles (1968); Ciclo Agatha Christie (2005); Clapper Board (1980); Cold Lazarus (1996); Contrasts (1968); Corpse Bride (2005); Delivering Milo (2001); iscovering Film (2015); Emergency-Ward 10 (1959); Erin Brockovich (2000); Erin Brockovich: Deleted Scenes (2000); Face to Face (1962); Fan-Made Music Videos (2008); Film '81 (1981); Film Night (1970); Film Review (1967); Forget-Me-Not-Lane (1975); Good Morning America (1977–1986); Granada Reports (2019); Gumshoe (1971); HBO First Look (2004); Hemingway, the Hunter of Death (2001); Hollywood Screen Tests: Take 1 (1999); Hollywood Screen Tests: Take 2 (1999); Hollywood U.K. British Cinema in the Sixties (1993); How It Is (1968); How Sweet the Sound: The Story of Amazing Grace (2007); How the Beatles Changed the World (2017); If.... (1968); In the West End Tonight (1966); International Pro-Celebrity Golf (1983); Intimate Portrait (2003); James Bond 50th Anniversary Videoblog (2012); Jason Bourne (2016); Juke Box Jury (1963); Karaoke (1996); Late Night with David Letterman (1982); Law and Disorder (1974); Les Chroniques du Mea (2023); Lights, Camera, Annie! (1982); Looker (1981); Loophole (1981); Loving Memory (1970); Memoirs of a Survivor (1981); Miller's Crossing (1990); Moving Image Salutes Sidney Lumet (1985); Munich the Documentary (2008); Murder on the Orient Express (1974); My Uncle Silas (2001–2003); NBC Experiment in Television (1970); Nicholas Craig, the Naked Actor (1990); Night Must Fall (1964); Nostromo (1996–1997); Notes from Under the Volcano (1984); O Lucky Man! (1973); Observations Under the Volcano (1984); Ocean's Twelve (2004); Omnibus (2001); On the Set of 'Washington Square' (1997); Orphans (1987); Planet Voice (2005); Pope John Paul II (1984); Postcards from Provence (2007); Privilege (1967); Read All About It (1978); Récit de voyage (2005); Release (1968); Remembering 2019: In Memoriam (2019); Review (1972); Rich in Love (1992); Saturday Night and Sunday Morning (1960); Schitt's Creek (2018); Scrooge (1970); She Stoops to Conquer (1956); Shoot the Moon (1982); Simpatico (1999); Skyfall (2012); Skyfall: Modern Day Bond (2013); Skyfall: Shooting Bond (2013); Space Top 10 Countdown (2007); Spotlight on Location: Erin Brockovich (2000); Spring and Port Wine (1970); Suncoast Motion Picture Company - We Can Take You There Commercial (1986); Talking Pictures (2015); The 22nd Annual Tony Awards (1968); The 71st Primetime Emmy Awards (2019); The 73rd Annual Academy Awards (2001); The 73rd Annual Tony Awards (2019); The Adventure of Sherlock Holmes' Smarter Brother (1975); The Biko Inquest (1984); The Bourne Legacy (2012); The Bourne Ultimatum (2007); The British Academy Craft Awards (1996); The Browning Version (1994); The Burning (1968); The Claverdon Road Job (1957); The Dick Cavett Show (1982); The Dresser (1983); The Duellists (1977); The Endless Game (1989); The Entertainer (1960); The 'Father Christmas Film' (1973); The Gathering Storm (2002); The Great Christmas Movies (1998); The Green Man (1990); The Image (1990); The Man Who Fought the Planners: The Story of Ian Nairn (2014); The Merv Griffin Show (1968–1977); The Mike Douglas Show (1977); The Miser (1956); The Movies (2019); The Orange British Academy Film Awards (2001); The Oscars (2019); The Picasso Summer (1969); The Playboys (1992); The Project (2024); The Run of the Country (1995); The Second Annual West End Theatre Awards (1977); The South Bank Show (1996); The Tonight Show Starring Johnny Carson (1968–1977); The Variety Club Awards for 1970 (1971); The Variety Club Awards for 1982 (1983); The Variety Club Awards for 1990 (1991); The Victors (1963); The Wall: Live in Berlin (1990); Theatre Night (1960); This Is Joan Collins (2022); This Is Your Life (1978); Tim Burton: Dark vs. Light (2006); Today (1968); Tom Jones (1963); Traffic (2000); Twentieth Century Fox: The Blockbuster Years (2000); Two for the Road (1967); Uncovering Wolfen; Under the Volcano (1984); Variety Club of Great Britain Awards for 1960 (1961); Variety Club of Great Britain Awards for 1961 (1962); Virage de modes (2005); Vito (2011); Voices from the Underworld (2006); Washington Square (1997); Wogan (1986–1992); Wolfen (1981).

#BigFish #ErinBrockovich #TheDuellists #Traffic


Wednesday, August 31, 2022

The Duellists (1977) - a fine point of honor:

While I’d never seen The Duellists before marrying, I can honestly say it’s become one of my favorites and gets better with every viewing. My husband’s review of the movie is below – I hope you read it and watch the movie when you have the chance. It’s definitely worth it!
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The Duellists (1977) - a fine point of honor:

Review by Jack Kost.


Strife without reason. A quarrel pursued for its own sake.
– Liz Smith, as the Fortune Teller.

I remember the first time I watched The Duellists.
It was on my black-and-white portable TV, in my bedroom, when I was 12-years-old … and that is no way to watch The Duellists … or any movie for that matter!
But even on that grainy, nine-inch monochrome screen, I appreciated the movie’s beauty.
It was several years before I got the opportunity for a second viewing, then on a full-size color TV.
It was before widescreen; the picture was cropped and reformatted to fit the TV screen, but seeing it in color made it better, and the experience of watching The Duellists the first time around has never left me.

The Duellists, released in France, on August 31, 1977, won the award for Best Debut Film, at the 1977 Cannes Film Festival, and has since been included on The New York Times list of best movies, along with being commended for its attention to period detail.

Director Ridley Scott would go on to further acclaim with the classics: Alien (1979), and Blade Runner (1982), among many others.


The Duellists is his first movie, and it’s perfect.
What a debut!
Before The Duellists, Ridley Scott made TV commercials.
One of his most memorable was the 1984 Apple Macintosh computer advertisement, aired on TV during the Super Bowl.
Inspired by George Orwell's novel, Nineteen Eighty-Four, the ad’ featured an Olympic runner hurling a large sledgehammer through a giant screen.
The skill and style he invested in his movies is evident in that short ad’.

Gerald Vaughan-Hughes wrote the script for The Duellists, based on Joseph Conrad’s The Duel, published in 1907, inspired by the true story of two feuding French officers, during the Napoleonic era:


François Fournier-Sarlovèze (left) & Pierre Dupont de l'Étang (right).

For the movie, François Fournier-Sarlovèze is depicted as Gabriel Feraud (Harvey Keitel).
Pierre Dupont de l'Étang is depicted as Armand D’Hubert (Keith Carradine):


Opening with Feraud winning a duel, D’Hubert is sent by General Treillard (Robert Stephens), to find Feraud and inform him he is under immediate house arrest.


D’Hubert:

I have an order to convey to you from General Treillard. You are to report immediately to your quarters and remain there under close arrest.

Feraud:

What did you say?

D’Hubert:

I am only a messenger. That must be obvious to you. I believe you heard my message.

Feraud:

Yes, damn you, I heard your message! Under arrest for what?

D’Hubert:

You did fight a duel this morning?

Feraud:

Of course.

D’Hubert:

You make duelling sound like a pastime in the Garden of Eden. I think we have to leave now; don’t you agree?

During this exchange, Feraud is aghast.
“Of course,” he confirmed, as if it was expected and accepted that he fights duels when and where he pleases.
The matter is not open for judgment, or question, and God help anyone who dared try!
Feraud takes it as an insult.
Driven by petulance, spite, and rage, D’Hubert then becomes the target of his hate, and he forces D’Hubert into their first duel.


D’Hubert knocks Feraud unconscious and wins the duel, but Feraud won’t let it go at that.

After D’Hubert is wounded and unable to continue the second duel, Feraud shouts: “Next time, D’Hubert!”


Feraud won’t be satisfied until the duel is fought to the death, turning their disagreement into a personal vendetta.
They would meet for a series of duels over the following years, fighting in different places, using swords, sabers, on horseback, and finally Flintlock pistols.


In the movie retelling, we see five duels over fifteen years.
In real life, there were more than thirty over nineteen years.

We’ve all encountered one like Gabriel Feraud … that individual who just seems to thrive on conflict.
Easily bored and not content unless they cause trouble wherever they go, or picking a fight with whoever they’re with.
They can’t stand being wrong.
If they take a dislike to you, or you see through them and call them out on what they do, they become your sworn enemy for life.

D’Hubert seeks advice from Dr. Jacquin (Tom Conti):


Jacquin:

Feraud intends to kill you.

D’Hubert:

Is that what he says?

Jacquin:

No, not to me, but rumor goes round.

D’Hubert:

Damn him, anyway! He’s most unreasonable.

Jacquin:

The enemies of reason have a certain blind look. He has that look; don’t you think?

D’Hubert:

What can I do?

Jacquin:

I have given it some thought. You cannot fight – one, if you are in different places – physical impossibility. Two, if you are of different rank – it’s a breach of discipline. And three, if the state is at war. Duels of nations take absolute precedence. Therefore, keep away from him, keep ahead of him, put your trust in Bonaparte.

D’Hubert (laughs):

Thank you.

There is a crossroads incident during one campaign where they find themselves regrouped into one regiment.
Separated from the group, they face each other, holding pistols in both hands.
Suddenly, they are surrounded by the enemy and the situation forces them to stand and fight, side-by-side this time – not against each other.


D’Hubert attempts to engage Feraud in conversation instead of conflict.
Discussion instead of a duel.
He offers Feraud a drink of Schnapps from his flask, in celebration of winning the skirmish.
This shows the contrasting characters: D’Hubert the contemplative peace-maker, against Feraud the psychopathic trouble-maker.
Feraud gives D’Hubert a cold look of contempt, and walks away without accepting the offer of the drink, or uttering a word in response.
The animosity remains.
Feraud’s rejection of D’Hubert’s peace offering would lead to his eventual downfall.
D’Hubert was offering an olive branch, an opening for them to shake hands and call an end to the pointless feud.
As soldiers, they were already on the same side, climbing the ranks in Bonaparte’s army.
They were more successful fighting the enemy than they were fighting each other.
A friendship could have been made of this.
Or, at least, a truce and alliance.
But Feraud couldn’t let it go.
His stubborn, pig-headed attitude would take him from a high-ranking General to a prisoner in the provinces.


Forced to live out his life, stripped of his rank and position, existing in quiet exile, sharing a similar fate to Bonaparte.


Ridley Scott has a talent for stunning visuals, and painting his scenes with light.
There are many stills in this movie I would happily frame and hang on my wall.
The configuration of the scenes, especially the interiors and establishing location shots, are reminiscent of classic paintings.


The final duel was filmed at the Château de Commarque, a castle ruin in southern France.


Howard Blake’s soundtrack is a haunting accompaniment to the stunning visuals.
The drama and cinematography meld seamlessly.
The flawless performances and script perfectly reflect the mannered customs and speech of the characters and era.


Among the supporting cast are:

Diane Quick, as Laura, D’Hubert’s opportunistic and selfish mistress.


Cristina Raines, as Adele, who marries D’Hubert, after Napoleon loses at the battle of Waterloo and D’Hubert joins the army of Louis XVIII.


Albert Finney, as Joseph Fouché, the Minister of Police, who contemptuously dismisses Feraud, after D’Hubert secretly pleads Feraud’s case and saves him from execution:
“General Feraud, alive or dead, is not worth a moment’s gossip!”


Look out for Pete Postlethwaite, in a silent, supporting role as Treillard’s valet.


Stacy Keach provides voice-over narration throughout.

Author and journalist, Gordon Williams, wrote the movie tie-in novel version.
He was also the author of the 1969 novel: The Siege of Trencher’s Farm, filmed by Sam Peckinpah in 1971 as Straw Dogs, starring Dustin Hoffman and Susan George.


In the genre of historical dramas, I also recommend: Waterloo (1970), and Barry Lyndon (1975).


Like the series of intense duels throughout, The Duellists is a striking, compelling, and timeless movie.

“La!”