Monday, October 5, 2026
On this day in movie history - Spielberg (2017)
Saturday, August 22, 2026
On this day in movie and book history - Stand by Me (1986) and Different Seasons (1982)
Stand by Me
Recommended reading:
Different Seasons
by Stephen King.
Published by Scribner.
First published 1982.
ISBN-10: 1501143484
ISBN-13: 9781501143489
Description:
A “hypnotic” (The New York Times Book
Review) collection of four novellas – including the inspirations behind the
films Stand By Me and The Shawshank Redemption—from Stephen King, bound
together by the changing of seasons, each taking on the theme of a journey with
strikingly different tones and characters.
This gripping collection begins with Rita
Hayworth and the Shawshank Redemption, in which an unjustly imprisoned
convict seeks a strange and startling revenge – the basis for the Best Picture
Academy Award-nominee The Shawshank Redemption.
Next is Apt Pupil, the inspiration
for the film of the same name about top high school student Todd Bowden and his
obsession with the dark and deadly past of an older man in town.
In The Body, four rambunctious
young boys plunge through the façade of a small town and come face-to-face with
life, death, and intimations of their own mortality. This novella became the
movie Stand By Me.
Finally, a disgraced woman is determined to
triumph over death in The Breathing Method.
“The wondrous readability of his work, as well
as the instant sense of communication with his characters, are what make
Stephen King the consummate storyteller that he is,” hailed the Houston
Chronicle about Different Seasons.
Monday, June 22, 2026
On this day in movie history - Astronaut (2019)
Astronaut
Saturday, June 20, 2026
Jaws (1975) - the thing about a shark …
You see them – you forget them.
However, some movies are so good – you never forget them; they stay with you forever and get better every time you watch them.
Jaws (1975) has always had a special place in my heart.
During my early teens, it was the first movie I saw on rental VHS video cassette.
When I was fifteen, I bought a four-hour video cassette and recorded Rollerball and Jaws when they were screened on TV.
Already a dyed in the wool movie fanatic, it felt great to have my own copies of two movies I love, and that video cassette was like gold to me – a treasure!
Both movies were released in 1975 – a great year for movies – and I will post a blog on Rollerball in the future.
I went through the usual precautions concerning prized video cassettes: broke the small, square plastic tab on the base of the cassette, preventing accidental erasure … affixed a label to the base of the cassette, on which I wrote ROLLERBALL & JAWS in bold, felt-tip-pen capitals … then hoarded it away in my bedroom.
Unless I was watching some other late-night movie on TV, then the double-feature of Rollerball and Jaws was my late-Saturday-night-into-the-early-hours-of-Sunday-morning treat.
During that period, settling to watch movies was something of a ceremony:
More coals on the fire to keep the room temperature comfortable … check!
Draft-excluder covering the gap at the bottom of the lounge door … check!
TV angle realigned, parallel with the rug in front of the fire … check!
Seat cushions banked with my bed pillow against the base of the couch … check!
Fresh mug of coffee … check!
Snacks … check!
Me laid on rug … check!
Cushions behind my shoulders … check!
Pillow behind my head … check!
TV screen perfectly positioned with my direct line of view … check!
TV remote strategically placed to the right of my coffee mug … check!
The ceiling light and corner lamps out; room lit only by the glowing coals and TV screen … check!
My German Shepherd dog stretched out asleep on the couch behind me … check!
Yep! You read that right! I was laid on the floor; my dog was on the couch. I spoil my pets.
Over the years, I’ve watched both those movies less frequently, but each new viewing has always felt like a special event and my appreciation for them has never waned.
I’ll focus on Jaws for this blog.
Police Chief, Brody (Roy Scheider), Oceanographic expert, Hooper (Richard Dreyfuss), and shark fisherman, Quint (Robert Shaw), eventually team up and set out on Quint’s vessel, the Orca, to hunt down the shark and kill it.
There is so much to love and admire about this movie: superb script, beautiful cinematography, fully developed characters, suspense and humor.
I can’t choose one particular favorite scene – I love the entire movie and can’t find a fault with it.
From the classic opening, starting with those marine sounds, leading into John Williams’ now timeless and brilliant theme music:
Martin, it's all psychological. You yell barracuda, everybody says, "Huh? What?" You yell shark, we've got a panic on our hands on the Fourth of July.
The moment of shock, zoom shot:
Dinner conversation:
(pointing to the billboard as he talks to BRODY):
Brody! Sick vandalism! That is a deliberate mutilation of a public service message. Now, I want those little paint-happy bastards caught and hung up by their Buster Browns!
Author, Peter Benchley’s cameo as the news reporter:
BRODY:
What happened?
Japanese submarine slammed two torpedoes into our side, Chief. We was comin' back from the island of Tinian to Leyte. Just delivered the bomb – the Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in twelve minutes. Didn't see the first shark for about a half an hour. Tiger. Thirteen-footer. You know how you know that, when you're in the water, Chief? You tell by looking from the dorsal to the tail. What we didn't know, was our bomb mission had been so secret, no distress signal had been sent. They didn't even list us overdue for a week.
Very first light, Chief, sharks come cruisin', so we formed ourselves into tight groups. You know, it was kinda like old squares in the battle, like you see in the calendar named: The Battle of Waterloo, and the idea was: shark comes to the nearest man, that man he starts poundin' and hollerin' and screamin' and sometimes the shark would go away... but sometimes he wouldn't go away.
Sometimes that shark he looks right into ya, right into your eyes. You know, the thing about a shark, he's got lifeless eyes, black eyes, like a doll's eyes. When he comes at ya, doesn't seem to be living ... until he bites ya, and those black eyes roll over white and then ... ah, then you hear that terrible high-pitched screamin', the ocean turns red, and despite all the poundin' and the hollerin', they all come in and they ... rip you to pieces.
On Thursday morning, Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player. Bosun’s mate. I thought he was asleep. I reached over to wake him up. He bobbed up and down in the water just like a kinda top. Upended. Well, he'd been bitten in half below the waist.
So, eleven-hundred men went into the water; three-hundred-and-sixteen men come out and the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.
Although the story of Jaws is fiction, Quint’s story of the USS Indianapolis is rooted in fact.
Stacy Keach and Richard Thomas starred in a 1991 TV movie of the story: Mission of the Shark: The Saga of the U.S.S. Indianapolis.
In 2016, Mario Van Peebles directed USS Indianapolis: Men of Courage, starring Nicolas Cage, Thomas Jane, Tom Sizemore, and James Remar.
The sequels to Jaws didn’t come near the magic of the original and sank (pun intended) into the depths of the cinematic pit of movies so bad – they are woefully BAD!
Oh … yeah … and let’s not forget the cinematic classic that is Mega Shark vs. Giant Octopus … and I still can’t believe I actually sat through it!!!
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