Marie Versini
August 10, 1940 – November 22, 2021
Recommended reading:
by Billy Wilder.
Published by University of California Press.
Published 1999.
ISBN-10: 0520218558
ISBN-13: 978-0520218550
Description:
Sunset Boulevard (1950)
is one of the most famous films in the history of Hollywood, and perhaps no
film better represents Hollywood's vision of itself. Billy Wilder collaborated
on the screenplay with the very able Charles Brackett, and with D. M. Marshman
Jr., who later joined the team. Together they created a film both allusive and
literate, with Hollywood's worst excesses and neuroses laid out for all to see.
After viewing Sunset Boulevard Louis B. Mayer exclaimed:
"We should throw this Wilder out of town!" The New York Times,
however, gave the movie a rave review, praising "that rare blend of
pungent writing, expert acting, masterly direction, and unobtrusively artistic
photography." The film was nominated for Best Picture, and Wilder won an
Academy Award for Best Story and Best Screenplay.
This facsimile edition of Sunset Boulevard makes it possible to get as much pleasure from reading the highly intelligent screenplay as from seeing the film. Jeffrey Meyers's introduction provides an intriguing array of background details about Wilder, the film's casting and production, and the lives of those connected to what has become a classic.
by Steven Cohan.
BFI Film Classics.
Published by British Film Institute.
Published 2022.
ISBN-10: 1839024089
ISBN-13: 978-1839024085
Description:
Billy Wilder's Sunset Boulevard was
a critical and commercial success on its release in 1950 and remains a classic
of film noir and one of the best-known Hollywood films about Hollywood. Both
its opening, with William Holden as the screenwriter Joe Gillis floating face
down in ageing star Norma Desmond's (Gloria Swanson) pool, and lines such as 'I
am big, it's the pictures that got small' are some of the most memorable in
Classical Hollywood cinema.
Steven Cohan's study of the film draws on
original archival research to shed new light on the film's production history,
and the contribution to the film's success and meanings of director Wilder,
stars Holden and Swanson but also supporting actors Erich von Stroheim, Nancy
Olson (who plays Betty Schaefer), Cecil B. DeMille, and Hedda Hopper, as well
as costumier Edith Head, and composer Franz Waxman. Cohan considers the film
both as a 'back studio' picture (a movie about Hollywood) and as a film noir, and
in the context of McCarthyism, blacklisting and the Hollywood Ten.
Cohan explores how the film was marketed, its reception and afterlife, tracing how the film is at once a product of its own particular historical moment as the movie industry was transitioning out of the studio era, yet one that still speaks powerfully to contemporary audiences, and speculates on the reasons for its enduring appeal
directed by Jimmy T. Murakami and Roger
Corman,
written by John Sayles,
based on a story by John Sayles and Anne Dyer,
was released in the United States on August
10, 1980.
Music by James Horner.