Recommended reading - Hardboiled: An Anthology of American Crime Stories (1995):

 

Hardboiled: An Anthology of American Crime Stories (1995).

Edited by Bill Pronzini & Jack Adrian.

Description:

Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without.

Included are thirty-six superbly suspenseful stories that chronicle the evolution of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1930s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy.

Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," to Ed Gorman's 1992 "The Long Silence After," Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block.

Containing many notable rarities, Hard-Boiled celebrates a genre that has profoundly shaped not only American Literature and film, but how we see our heroes and ourselves.

Born on this day – Joy Barlow:

Actress

May 18, 1923 – May 2, 1995

Credits:

Just Across the Street (1952); Look for the Silver Lining (1949); The Decision of Christopher Blake (1948); Two Guys from Texas (1948); Blackmail (1947); The Trespasser (1947); The Big Sleep (1946); Cinderella Jones (1946); Don't Fence Me In (1945); George White's Scandals (1945); Where Do We Go from Here? (1945); The Horn Blows at Midnight (1945); Earl Carroll Vanities (1945); To Have and Have Not (1944); Bob Wills and His Texas Playboys (1944); Destination Tokyo (1943); Thank Your Lucky Stars (1943); Call of the Canyon (1942); Louisiana Purchase (1941).

To Die For (1995) – the season of the witch:

Review by Jack Kost.

First impressions, in one word? You really want to know?

Four letters, begins with C …

Cold. Cold. C-O-L-D. Cold. Yeah.

– Illeana Douglas, as Janice Maretto.

If you want to see a convincing and chillingly accurate on-screen portrayal of a Malignant Narcissist and Sociopath, then look no further than To Die For (1995).

There’s an exchange that sums up the problem at the core of the central character, Suzanne Stone (Nicole Kidman).
Her boss, Ed Grant (Wayne Knight), at the small WWEN local cable station, says:
“Well, Suzanne, I sure pity the person who says no to you.”
Ed is joking when he says it.
Suzanne looks directly at him, her face blank, emotionless, no humor in her voice, as she responds:
“No one ever does.”
She snickers after saying it, but it’s not out of humor; she’s smug.
That’s the problem.
No one has ever said no to Suzanne.
Suzanne gets whatever Suzanne wants.
Suzanne will do anything and everything to get her own way.
The end justifies the means.
It’s Suzanne’s way – or else!
She craved attention all her life.
It started with a spoiled child.
Posing for cameras.
Made to feel like she’s better and more special than everyone else.
Entitled.
Enabled.
Over-indulged.
Now Suzanne is a grown woman.
A fully-developed demon, with the attitude that the rules and laws don’t apply to her.
That she can do and say whatever she pleases.
People around her are to be used, destroyed and discarded, at her will.
Suzanne’s sister, Faye (Susan Traylor), is quietly resentful.
Often just there in the room, watching Suzanne with scorn and bitter understanding.

Suzanne lands a job at the cable station, where she handles basic tasks.
Her boss eventually gives in and lets her have the on-screen spot as the weather reporter.

It’s a go-nowhere job, but Suzanne sees it as a spring-board to TV stardom.

She uses the station’s equipment to create her own documentary, Teens Speak Out, focusing on the lives of three high-school teenagers:

Jimmy Emmett (Joaquin Phoenix), Russell Hines (Casey Affleck), and Lydia Mertz (Alison Folland).

Trouble starts when Suzanne’s husband, Larry Maretto (Matt Dillon) says no to her.

How dare he?
What was he thinking?
Larry is an average guy who wants a quiet, normal life.
He’s doing well with the restaurant business he runs with his father.
He wants Suzanne to quit her job at the cable station and help him at the restaurant.
But Suzanne has ideas of her own.
Helping with her husband’s restaurant business and living a simple life would mean the spotlight isn’t on Suzanne.
She wouldn’t be the center of attention.
It flies against Suzanne’s selfish, narcissistic IT’S ALL ABOUT ME mindset.
And she can’t and won’t have that.

As Larry is sharing his business ideas with Suzanne, she detaches.
We see Larry through her eyes, as she gets tunnel vision.
Almost as if she is viewing her husband through the scope on a gun.
Suzanne has him in her sights, and not in a good way.

Larry is doomed from that moment.
By saying no to Suzanne, by not letting her just have her way, Larry has signed his own death warrant.
It gets him murdered.
Too cunning to bloody her own hands, Suzanne decides to use the three teenagers in her documentary.

Gullible and naïve, they make easy targets for the predatory and manipulative Suzanne.
They unwittingly become her Flying Monkeys.
She makes Lydia believe they are best friends, taking her on shopping trips to the mall.

Then she seduces Jimmy.
Using sex and the promise of a life together, an exercise in Breadcrumbing and Future Faking, to keep him on her side.

She fills Jimmy’s head with lies, claiming that Larry is physically abusive towards her, pretending to be the victim, as she turns on the theatrical tears as easily as a faucet.
The sympathy ploy.
When Jimmy gets nervous about committing murder, she triangulates him with his friend, Russell.
Jealousy and the fear of losing Suzanne finally sways Jimmy.

What follows is murder by proxy, through third-party involvement.
Jimmy, with the help of two accomplices, pulls the trigger, but Suzanne is the puppet master, pulling all their strings.

On the night Larry is killed, Suzanne is on TV giving the weather report.
She concludes with a special dedication to her husband.
We’re given a look behind Suzanne’s superficial mask of charm.
We see the sadistic, malicious glee burning in her eyes, as she declares her love for Larry, on their first wedding anniversary, knowing what is happening to him.

After the murder, when the trio have served their purpose, Suzanne coldly discards them.

To Die For was directed by Gus Van Sant, and released in the United States on October 6, 1995.
The screenplay was written by Buck Henry, who plays the role of a cynical school teacher.
The script is an adaption of the source novel, by Joyce Maynard, who appears in a cameo role, as Suzanne’s lawyer.
The novel is Joyce Maynard’s fictionalized retelling of the true Pamela Smart case.

The movie is highly stylized and entertaining.
Most of the time, we’re watching a mockumentary, straight-to-camera monologues, in a series of edited interviews, from witnesses to the sordid and tragic events.

The story is both dark in its subject and darkly funny.
The moment where the hapless Jimmy, gazing blank-eyed into camera, can only grunt as Suzanne prompts him to respond, is hilarious.

In the end, there’s no sympathy for Suzanne, and it’s impossible not to empathize with Janice Maretto (Illeana Douglas), sharing her feeling of schadenfreude, as she dances over the ice maiden’s icy grave, and Donovan sings Season Of The Witch over the end credits.

Nicole Kidman threw herself into the role of Suzanne Stone and gives one of the best performances of her career.
She doesn’t miss a step as the amoral, spoiled, high-maintenance, petulant, treacherous wannabe.
A callous sociopath.
This is Suzanne Stone’s world and it’s all about her, evident in the scene when the family are gathered in the house with the police.
Suzanne notices the TV cameras and news reporters outside.
She checks her hair, as she glides out of the house to bask in the glare of the spotlight.
She’s the center of attention, being photographed, on TV … exactly the way she likes it.
Whenever a camera lens is focused on Suzanne, she puts on her best shiny mask.

It’s reminiscent of the end of Sunset Boulevard (1950), where the insane Norma Desmond (Gloria Swanson) says:
“Alright, Mr. DeMille, I'm ready for my close-up.”

As William Shakespeare wrote: All that glitters is not gold.

The supporting cast includes:
Dan Hedaya and Maria Tucci, as Larry’s parents.
Kurtwood Smith and Holland Taylor, as Suzanne’s parents.
George Segal, as a TV executive.
Gerry Quigley, as the cable station camera operator.
David Cronenberg, as a hit man.
Tim Hopper and Michael Rispoli, as the police detectives who uncover the truth.

The music is by Danny Elfman.

To Die For is sharply edited, with a brilliant script and excellent performances.

It is also an intelligent portrayal of the dangers of celebrity culture, toxic self-absorption, and malignant narcissism.

For further research on the Pamela Smart case:

Teach Me to Kill: The Shocking True Story of the Pamela Smart Murder Case, by Stephen Sawicki.

Deadly Lessons, by Ken Englade.

Till Death Do Us Part: Love, Marriage, and the Mind of the Killer Spouse, by Dr. Robi Ludwig and Matt Birkbeck.

Evil Women: Deadlier Than the Male, by John Marlowe.

Skylights and Screen Doors, by Dean J. Smart.

Murder in New Hampshire: The Pamela Wojas Smart Story (1991), a TV movie, directed by Joyce Chopra, starring Helen Hunt and Chad Allen.

Crime of Passion: The Pamela Smart Story (1996), episode from the documentary series American Justice.

To Die For (2012), episode from the Reel Crime/Real Story documentary series on Investigation Discovery.

Captivated: The Trials of Pamela Smart (2014), an HBO documentary, directed by Jeremiah Zagar.

From Student Seduction to Murder (2016), episode from the USA Network series Corrupt Crimes.

Pamela Smart: An American Murder Mystery (2018), a three-part documentary on Investigation Discovery.

Killer Intellect (2021), episode from the Deadly Women series, on Investigation Discovery.