On this day in movie history - The Big Town (1987)

The Big Town

directed by Ben Bolt and Harold Becker,

written by Robert Roy Pool,

based on the novel The Arm by Clark Howard,

was released in the United States on September 25, 1987.

Music by Michael Melvoin and Frank Fitzpatrick.

Cast:

Matt Dillon, Diane Lane, Tommy Lee Jones, Bruce Dern, Lee Grant, Tom Skerritt, Suzy Amis, David Marshall Grant, Don Francks, Del Close, Meg Hogarth, Cherry Jones, Alvaro D'Antonio, David James Elliott, Steve Yorke, Chris Owens, Sean McCann, Kevin Fox, Marc Strange, Don Lake, Angelo Rizacos, Chris Benson, Gary Farmer, Diego Matamoros, Sarah Polley, Kirsten Bishop, Kenneth McGregor, Viki Matthews, Cherie McGroarty, Sandy Czapiewski, Marie Siebert, Julie Conte, A.C. Peterson, Sam Malkin, Robert Morelli, Layne Coleman, Lolita Davidovich, William Colgate, William Forrest MacDonald, Len Doncheff, Michael Caruana, Richard Comar, Lubomir Mykytiuk, Robert Ramsay Collins, Errol Slue, Gerry Pearson, Hugo Dann, John Evans, J. Winston Carroll, Diane Gordon, David Berni, Robert Mavor, Robert Minkoff.

On this day in movie history - Factotum (2006)

Factotum

directed by Bent Hamer,

written by Bent Hamer and Jim Stark,

based on the novel by Charles Bukowski,

was released in the United States on August 18, 2006.

Music by Kristin Asbjørnsen.

End titles song Slow Day by Kristin Asbjørnsen.

Cast:

Matt Dillon, Lili Taylor, Didier Flamand, Fisher Stevens, Marisa Tomei, Adrienne Shelly, Karen Young, Thomas Lyons, Dean Brewington, James Cada, James Michael Detmar, Kurt Schweickhardt, Dee Noah, James Noah, Michael Egan, Terry Hempleman, Emily Hynnek, Wayne Morton, Tony Papenfuss, Lana Schwab, Sally Wingert, Robert Downing Davis, Bryan J. Walker, Dan Lee Jr., Peter Moore, Bruce Bohne, Larry Roupe, Chris Carlson, Stephen D'Ambrose, Emil Herrera, Michelle Hutchison, Andy Hubbell, Martin Marinaro, Raye Birk, Stephen Pelinski, Stanley Kipper, Brent Doyle, John Paul Gamoke, Jim Lichtscheidl, Jay Gjernes, Clyde Lund, Debbie DeLisi, George McGuire, Brad Madson, Gary Tournier, Esera Tuaolo, John Nadeau, Cathi Cooper, Carole Samuelson.

On this day in movie history - Going Attractions: The Definitive Story of the American Drive-in Movie (2013)

 

Going Attractions: The Definitive Story of the American Drive-in Movie

documentary directed and written by April Wright,

was released in the United States on June 6, 2013.

Music by Dave Glover, Kate Houle and Rob Houle.

 

Cast:

Charles Bruss, Riley Cooke, Roger Corman, Dennis Cozzalio, Bob Deutsch, Matt Dillon, Barry Floyd, Barb Frankhouser, Bill Frankhouser, Paul Geissinger, Patricia King Hanson, Richard M. Hollingshead III, David Hudzik, Jennifer Sherer Janisch, Sam Kirkland, Jim Kopp, Megan Kopp, Mark Lovato, Robbie Mack, Wes Neal, Teri Oldknow, Karen Sternheimer, Ed Szurek, Tony Troidl, D. Edward Vogel.

On this day in movie history - Capone (2020)

Capone

directed and written by Josh Trank,

was released in the United States on May 12, 2020.

Music by El-P.

Cast:

Tom Hardy, Linda Cardellini, Matt Dillon, Al Sapienza, Kathrine Narducci, Noel Fisher, Gino Cafarelli, Mason Guccione, Jack Lowden, Kyle MacLachlan, Rose Bianco, Manny Fajardo, Christopher Bianculli, Edgar Arreola, Jhemma Ziegler, CG Lewis, David Wachs, Tilda Del Toro, Wayne Pére, Josh Trank, Neal Brennan, Jason Edwards, Caiden Acurio, Mason Rozas, Emma Kathryn Coleman, Tara Marie Foy, Reed Luckett Wiley, Troy Anderson, Andreanna L Jenson, Tony Beard, Silas Borelly, Patti Brindley, Rebecca Chulew, Samantha Czosnek, Macey DePaula, Julia Holt, Bruce Jesse Mattson, Michael McQuillan, Christopher Morris, Carl Anthony Nespoli,Jack Reeder, Candace Reuter, Ivan Salvatore, Natalie Sibille, Cameron Stout, Sue-Lynn.

On this day in movie history - Bad Country (2014)

Bad Country

directed by Chris Brinker,

written by Jonathan Hirschbein,

based on a story by Mike Barnett, Don 'Bud' Connor, Tom Abernathy and Jonathan Hirschbein,

was released in the United States on April 29, 2014.

Music by Jeff Danna and John Fee.

Cast:

Matt Dillon, Willem Dafoe, Neal McDonough, Amy Smart, Christopher Rodriguez Marquette, Don Yesso, Kevin Chapman, Christopher Denham, Alex Solowitz, John Edward Lee, Ritchie Montgomery, Frederick Weller, Patrick Brinker, Jeff Leaf, Bill Duke, Tom Berenger, Lazarus Jackson, Aldo Juliano, Dane Rhodes, Lex D. Geddings, Jake La Botz, Mike Barnett, Don 'Bud' Connor, John Lafayette, JD Evermore, Pat Fisher, Ron Gural, Matt Thompson, Hugh Wilson, Eddie Matthews, Dylan Yesso, John Braymer, Erika Bruun-Andersen, Gayle James, Caitlin Kearney, Mike Quintana, James Lew, Roger Behle, Mary Lane Haskell, Duane Cothren, Jarvis Green, Stephanie Carpenter, Garth Currie, Bobby Greer, Zach Hartman, Luke Hawx, Charles Hunt, De'Cha LaVeau, Hans Marrero, J. Travis Merendino, Gustavo I. Ortiz, James Ourso, Rehnan Overmiller, Michael Rhoads, Jason Stanly, Ronn Surels, Shirley Tregre, Joseph Uzzell, Bob Walker, Glen Warner, Jesse Yarborough.

On this day in movie history - Armored (2009)

Armored

directed by Nimród Antal,

written by James V. Simpson,

was released in the United States on December 4, 2009.

Music by John Murphy.

Cast:

Matt Dillon, Jean Reno, Laurence Fishburne, Amaury Nolasco, Fred Ward, Milo Ventimiglia, Skeet Ulrich, Columbus Short, Andre Jamal Kinney, Andrew Fiscella, Nick Jameson, Glenn Taranto, Lorna Raver, Garry Guerrier, Robert Harvey, Shawn Devorse, Gerry Carbajal, Mike Cochrane, Rebeca Cristian, Paul Grace, Elizabeth Rivera, Richie Varga.

To Die For (1995) – the season of the witch:

Review by Jack Kost.

First impressions, in one word? You really want to know?

Four letters, begins with C …

Cold. Cold. C-O-L-D. Cold. Yeah.

– Illeana Douglas, as Janice Maretto.

If you want to see a convincing and chillingly accurate on-screen portrayal of a Malignant Narcissist and Sociopath, then look no further than To Die For (1995).

There’s an exchange that sums up the problem at the core of the central character, Suzanne Stone (Nicole Kidman).
Her boss, Ed Grant (Wayne Knight), at the small WWEN local cable station, says:
“Well, Suzanne, I sure pity the person who says no to you.”
Ed is joking when he says it.
Suzanne looks directly at him, her face blank, emotionless, no humor in her voice, as she responds:
“No one ever does.”
She snickers after saying it, but it’s not out of humor; she’s smug.
That’s the problem.
No one has ever said no to Suzanne.
Suzanne gets whatever Suzanne wants.
Suzanne will do anything and everything to get her own way.
The end justifies the means.
It’s Suzanne’s way – or else!
She craved attention all her life.
It started with a spoiled child.
Posing for cameras.
Made to feel like she’s better and more special than everyone else.
Entitled.
Enabled.
Over-indulged.
Now Suzanne is a grown woman.
A fully-developed demon, with the attitude that the rules and laws don’t apply to her.
That she can do and say whatever she pleases.
People around her are to be used, destroyed and discarded, at her will.
Suzanne’s sister, Faye (Susan Traylor), is quietly resentful.
Often just there in the room, watching Suzanne with scorn and bitter understanding.

Suzanne lands a job at the cable station, where she handles basic tasks.
Her boss eventually gives in and lets her have the on-screen spot as the weather reporter.

It’s a go-nowhere job, but Suzanne sees it as a spring-board to TV stardom.

She uses the station’s equipment to create her own documentary, Teens Speak Out, focusing on the lives of three high-school teenagers:

Jimmy Emmett (Joaquin Phoenix), Russell Hines (Casey Affleck), and Lydia Mertz (Alison Folland).

Trouble starts when Suzanne’s husband, Larry Maretto (Matt Dillon) says no to her.

How dare he?
What was he thinking?
Larry is an average guy who wants a quiet, normal life.
He’s doing well with the restaurant business he runs with his father.
He wants Suzanne to quit her job at the cable station and help him at the restaurant.
But Suzanne has ideas of her own.
Helping with her husband’s restaurant business and living a simple life would mean the spotlight isn’t on Suzanne.
She wouldn’t be the center of attention.
It flies against Suzanne’s selfish, narcissistic IT’S ALL ABOUT ME mindset.
And she can’t and won’t have that.

As Larry is sharing his business ideas with Suzanne, she detaches.
We see Larry through her eyes, as she gets tunnel vision.
Almost as if she is viewing her husband through the scope on a gun.
Suzanne has him in her sights, and not in a good way.

Larry is doomed from that moment.
By saying no to Suzanne, by not letting her just have her way, Larry has signed his own death warrant.
It gets him murdered.
Too cunning to bloody her own hands, Suzanne decides to use the three teenagers in her documentary.

Gullible and naïve, they make easy targets for the predatory and manipulative Suzanne.
They unwittingly become her Flying Monkeys.
She makes Lydia believe they are best friends, taking her on shopping trips to the mall.

Then she seduces Jimmy.
Using sex and the promise of a life together, an exercise in Breadcrumbing and Future Faking, to keep him on her side.

She fills Jimmy’s head with lies, claiming that Larry is physically abusive towards her, pretending to be the victim, as she turns on the theatrical tears as easily as a faucet.
The sympathy ploy.
When Jimmy gets nervous about committing murder, she triangulates him with his friend, Russell.
Jealousy and the fear of losing Suzanne finally sways Jimmy.

What follows is murder by proxy, through third-party involvement.
Jimmy, with the help of two accomplices, pulls the trigger, but Suzanne is the puppet master, pulling all their strings.

On the night Larry is killed, Suzanne is on TV giving the weather report.
She concludes with a special dedication to her husband.
We’re given a look behind Suzanne’s superficial mask of charm.
We see the sadistic, malicious glee burning in her eyes, as she declares her love for Larry, on their first wedding anniversary, knowing what is happening to him.

After the murder, when the trio have served their purpose, Suzanne coldly discards them.

To Die For was directed by Gus Van Sant, and released in the United States on October 6, 1995.
The screenplay was written by Buck Henry, who plays the role of a cynical school teacher.
The script is an adaption of the source novel, by Joyce Maynard, who appears in a cameo role, as Suzanne’s lawyer.
The novel is Joyce Maynard’s fictionalized retelling of the true Pamela Smart case.

The movie is highly stylized and entertaining.
Most of the time, we’re watching a mockumentary, straight-to-camera monologues, in a series of edited interviews, from witnesses to the sordid and tragic events.

The story is both dark in its subject and darkly funny.
The moment where the hapless Jimmy, gazing blank-eyed into camera, can only grunt as Suzanne prompts him to respond, is hilarious.

In the end, there’s no sympathy for Suzanne, and it’s impossible not to empathize with Janice Maretto (Illeana Douglas), sharing her feeling of schadenfreude, as she dances over the ice maiden’s icy grave, and Donovan sings Season Of The Witch over the end credits.

Nicole Kidman threw herself into the role of Suzanne Stone and gives one of the best performances of her career.
She doesn’t miss a step as the amoral, spoiled, high-maintenance, petulant, treacherous wannabe.
A callous sociopath.
This is Suzanne Stone’s world and it’s all about her, evident in the scene when the family are gathered in the house with the police.
Suzanne notices the TV cameras and news reporters outside.
She checks her hair, as she glides out of the house to bask in the glare of the spotlight.
She’s the center of attention, being photographed, on TV … exactly the way she likes it.
Whenever a camera lens is focused on Suzanne, she puts on her best shiny mask.

It’s reminiscent of the end of Sunset Boulevard (1950), where the insane Norma Desmond (Gloria Swanson) says:
“Alright, Mr. DeMille, I'm ready for my close-up.”

As William Shakespeare wrote: All that glitters is not gold.

The supporting cast includes:
Dan Hedaya and Maria Tucci, as Larry’s parents.
Kurtwood Smith and Holland Taylor, as Suzanne’s parents.
George Segal, as a TV executive.
Gerry Quigley, as the cable station camera operator.
David Cronenberg, as a hit man.
Tim Hopper and Michael Rispoli, as the police detectives who uncover the truth.

The music is by Danny Elfman.

To Die For is sharply edited, with a brilliant script and excellent performances.

It is also an intelligent portrayal of the dangers of celebrity culture, toxic self-absorption, and malignant narcissism.

For further research on the Pamela Smart case:

Teach Me to Kill: The Shocking True Story of the Pamela Smart Murder Case, by Stephen Sawicki.

Deadly Lessons, by Ken Englade.

Till Death Do Us Part: Love, Marriage, and the Mind of the Killer Spouse, by Dr. Robi Ludwig and Matt Birkbeck.

Evil Women: Deadlier Than the Male, by John Marlowe.

Skylights and Screen Doors, by Dean J. Smart.

Murder in New Hampshire: The Pamela Wojas Smart Story (1991), a TV movie, directed by Joyce Chopra, starring Helen Hunt and Chad Allen.

Crime of Passion: The Pamela Smart Story (1996), episode from the documentary series American Justice.

To Die For (2012), episode from the Reel Crime/Real Story documentary series on Investigation Discovery.

Captivated: The Trials of Pamela Smart (2014), an HBO documentary, directed by Jeremiah Zagar.

From Student Seduction to Murder (2016), episode from the USA Network series Corrupt Crimes.

Pamela Smart: An American Murder Mystery (2018), a three-part documentary on Investigation Discovery.

Killer Intellect (2021), episode from the Deadly Women series, on Investigation Discovery.